![]() Later, the composer arranged a suite for piano solo (catalog G. Published by Chester, the ballet was given in Paris the next year (1925) and by the Philadelphia Civic Opera Company at Philadelphia's Metropolitan Opera House on 17 March 1927, with mezzo-soprano Kathryn Noll and conductor Alexander Smallens. In 1924 Falla finished a transformation of El amor brujo into a one-act 'ballet pantomímico' it is in this version that the work is best known to this day. ![]() This version was performed on 28 March 1916, by the Madrid Symphony Orchestra under Enrique Fernández Arbós. The following year, Falla revised the work by cutting its length, enlarging the orchestration, removing the dialogue and reducing the vocal part to three short songs for mezzo-soprano. ![]() It was scored for cantaora voice, actors and chamber orchestra and performed at the Teatro Lara, Madrid, on 15 April 1915, unsuccessfully. Versions and performance history Gitanería Įl amor brujo was commissioned in 1914 as a gitanería ( gypsy piece) by Pastora Imperio, a renowned flamenco gypsy dancer.
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